Born in France in 1988, Marianne Mispelaëre lives near Paris. She graduated from the ESAL (Épinal, 2009) and the HEAR (Strasbourg, 2012). Her works are on display in France and abroad, at the Palais de Tokyo (Paris. F), the NAK (Aachen. DE), the Salle Principale gallery (Paris. F), the iselp (Brussels. BE), the Art Encounters Foundation (Timisoara .RO).
Her performative actions have been activated at CEAAC (Strasbourg. F), CND - Centre National de la Danse (Pantin. F), Carreau du temple (Drawing Art Fair, Paris. F), Rotondes and Cercle Cité (Luxembourg. LU).
She received the 2017 Grand Prix du Salon de Montrouge award. Her work has been nominated for the LEAP Prize (Luxembourg, 2018) and for the AWARE Prize - Archives of Women Artists, Research and Exhibitions by Hélène Guenin (Paris, 2018).
Her work is part of some public collections in France and Belgium: FRAC Occitanie Montpellier (2023), FRAC Lorraine (2016, 2022), FRAC Alsace (2018, 2022), Musée d’Art Moderne et Contemporain de Strasbourg (2021), Centre de la gravure et de l'image imprimée (2021), CNAP (2020), FRAC Nouvelle-aquitaine MÉCA (2020), FRAC Normandie-Rouen (2019).
Marianne Mispelaëre worked six months in Berlin in 2016 (art residency, a program by the Christoph Merian Stiftung based in Basel, Switzerland). She has beed invited to work in Brazzaville (Republique of Congo) in 2018 and at Basis, Frankfurt, in 2021 (art residency organized by CEAAC, Strasbourg).
Two times, she developped a project in the framework of the french public commission called "1% artistique" (art and architecture) : at Vagney (Vosges, 2023), and at Saint-Renan (Finistère, 2020-21). In 2020-2022, she developed a collaborative research produced within the framework of the New Patrons program "Languages as migratory objects" (Marseille).
Marianne Mispelaëre co-founded and co-directed the publishing house PÉTROLE Éditions and the transreview TALWEG between 2013 and 2018. She writes texts in differents contexts.

© copyright all rights reserved Marianne Mispelaëre — 2011-2024.
© photo : ADAGP, Paris.